I am presently using  glazes prepared and developed in my workshop, for domestic ware, Russet and Blue ( both satin finish ). Experiments with glaze combinations are developing interesting seascape effects on selected pieces, larger platters and vases.

Double dipping parts of the ware when glazing will produce colour variation where the glaze overlaps.
Horizontal finger lines made when the pot is thrown are used to produce ridges and grooves ( on mug, cup, milk/sugar, teapot, goblet ). Both methods cause the glaze to thin or pool.

Chattering is a traditional method of surface decoration ( used on salt/pepper, port set, dip tray, carafe and casserole ). On a revolving pot a sharpened tool rhythmically strikes the surface, producing a pattern which varies with the speed of the wheel, the dryness of the pot and the pressure applied to the tool.

These simple shapes offer a larger surface area for glazes to reveal their distinctive character. They invite experimentation with multiple glaze applications and the possibility that the glaze combinations will run off the vertical sides in the molten state, at 1300ºC. Such is life! The decorative vases also allow glazes of various texture, satin and matt finish to be used.

I have developed a variety of glazes to produce a seascape impression. Because the glazing technique is complex, each piece is unique. However the seascape theme ties the pieces together for display purposes and the range is developing and now includes smaller pieces such as mugs, milk and sugar, goblets.